Skip to main content

CFP: Stay at Home Mothers: An International Perspective

Demeter Press is seeking submissions for an edited collection
Stay at Home Mothers: An International Perspective
Editors: Elizabeth Reid Boyd and Gayle Letherby 
Stay at home mothers and the 'mommy wars' are a continuing phenomenon worldwide. This book will be the first international edited collection exploring debates and issues surrounding mothers returning to/staying at home from a variety of countries and perspectives.

Stay-at home mothering remains a significant social and gender trend. Over the last decades, there have been many books exploring questions, issues and policies surrounding working mothers. This volume explores the flip side to enable a new discussion: Why are mothers still staying at home? Which mothers? In which countries? Under what conditions? What kind of rhetoric is invoked - personal choice or political push? Which national policies benefit them? Which don't? What debates - and emotions - do they provoke?

Chapters can be written from a national perspective and can include both empirical data on mothers staying at home, including statistical trends, as well as conceptual discussion and analysis. This will enable comparison; it will also provide scope for contrasting views. The book will not be for or against stay at home mothers, though it will include debates around the topic, and, indeed, is likely to provoke them.

Topics can also include (but are not limited to):     
Debates about the 'worthiness' of different mothers staying at home such as government funded teen mothers versus wealthy, older 'yummy mummies'; the 'mommy wars' between working moms and stay at home moms; maternal versus paid child care; the persistence of mothering at home and what it means; the take up of maternal (and paternal) leave; maternity payments and childcare policy; state enabling of mothers staying at home; the 'new Victorians'/the domestic goddess and the increasing idealisation of mothers at home; the leisured mother at home assisted by a (foreign worker) maid; stay at home mothers and the media; the history of mothers staying at home; generational change and visions for the future. Different viewpoints, from academics to lobby groups, are welcomed.
Submission Guidelines
Abstracts: 250 words. Please include a 50-word biography (with citizenship information.)
Deadline for abstracts is June 1, 2012
Please send submissions and inquiries directly to:
Elizabeth Reid Boyd

Accepted papers of 4000-5000 words (15-20 pages) will be due between April to June 2013, and should conform to American Anthropological Association style.

Disclosure: I am getting a complementary membership to MIRCI and subscription to the journal in return for posting these updates. It is, however, something I would have agreed to do for free because I think their work is so wonderful.


Popular posts from this blog

Review: Mary: The Adventures of Mary Shelley's Great-Great-Great-Great-Great-Granddaughter

Mary: The Adventures of Mary Shelley's Great-Great-Great-Great-Great-Granddaughter by Brea Grant My rating: 4 of 5 stars View all my reviews

Frederick, A Virtual Puppet Performance - Read by Michael Shannon

WOW...this is my first post during the Coronavirus pandemic! I hope you and your loved ones are healthy and safe. Thanks to the Chicago Children’s Theatre, the city’s largest professional theater devoted exclusively to children and families, for launching a new YouTube channel, CCTv: Virtual Theatre and Learning from Chicago Children’s Theatre. To kick if off we are treated to Frederick. Here's hoping this helps with your little ones. Or is a comfort to everyone of all ages. Chicago Children’s Theatre’s all-new virtual puppet performance was created while all of the artists were sheltering in place, working with resources limited to what they had in their homes or on their laptops. Frederick is directed by CCT Co-Founder and Artistic Director Jacqueline Russell. Puppets and sets were designed, built and puppeteered in a home studio by Grace Needlman and Will Bishop, CCT’s Director of Production, the creative team behind CCT’s annual series of Beatrix Potter puppet show

Review: Braintown

Braintown by Laura Hernandez My rating: 3 of 5 stars View all my reviews